Bo Maerten (Lisa), Géza Weisz (Jim), Yolanthe Cabau (Bo), Maurits Delchot (Said), and Edwin Jonker (Jack) Genre: Dutch Romantic Comedy Rating: Generally TV-MA for language and sexual content Critical Reception and Common Tropes
F*ck Love Too is a 2022 Dutch romantic comedy sequel on Netflix that follows a group of friends navigating messy love lives during a trip to Ibiza. While the film attempts to weave together multiple storylines involving infidelity, cold feet, and second chances, it has been widely criticized by reviewers for its shallow character development and lack of authentic chemistry. The Fragmented Narrative of Modern Love F*ck Love Too YIFY
The film employs an ensemble cast to explore different facets of modern relationships, but the sheer number of subplots often prevents any single story from gaining emotional weight. The central conflict follows Lisa, who finds herself in a love triangle between her boyfriend Jim and her childhood crush, Noah. Her journey is mirrored by her friends: Kiki, who develops cold feet before her wedding; Jack, who recklessly manages relationships with two women he has impregnated; and Bo and Said, who struggle to maintain a spark in their dry marriage. Critics from Paste Magazine and Common Sense Media have noted that this "multi-storyline device" often results in "shallow and artificial" dramatic situations, leaving the audience with little reason to invest in the characters' outcomes. Key Production Details May 20, 2022 Platform: Available for streaming on Netflix Bo Maerten (Lisa), Géza Weisz (Jim), Yolanthe Cabau
The film leans heavily into familiar rom-com tropes—such as the glamorous destination getaway and the "predictable romantic catharsis"—but struggles to provide the substance needed to make them feel earned. Reviews on IMDb highlight "flat characters" and "poor writing" as major drawbacks. The humor often falls flat, with some viewers finding certain jokes "off-tone" or crude. Ultimately, while the film is visually polished with an attractive cast and beautiful Ibiza scenery, it is frequently cited as a "soulless project" that fails to capture the true spark of the genre. The central conflict follows Lisa, who finds herself